Monday, August 24, 2015

Madders and Blues

After months and months of being "in the hoop" as we say, I am happy to say this quilt is now finished! I completed the quilting last week, finished up stitching the binding on yesterday, then promptly threw it in the wash.

Here it is above, draped over the porch rail for its first photo op, in the diminishing afternoon sunlight.

These taken this morning, late sunrise. I wanted to get the true colors, which is more difficult to achieve indoors.

I learned a lot making this quilt. First of all, pay attention to what you're doing. For instance, like how you cut the setting triangles, in order to avoid having long seams on the bias like I had. In the end it turned out fine, but it took a little manipulating to get it "square" if you know what I mean. I need to not be in such a hurry and to be more mindful. Although I have to say, I do like the way those stripes look, going at an angle. 

(Learn more about the construction of this quilt and how I solved the bias issue here.)

I experimented with some machine quilting techniques, some successful, some not so much. I first tried machine quilting gentle arcs, but I couldn't quite get the thread color right and no matter what I used the thread looked like it was just sitting on top of the blocks, which I felt detracted from the design of the blocks themselves (see elaboration here).  Then I tried some big-stitch quilting in the blocks which killed my hands (another false start here). I went back to the gentle arcs idea, and ended up plain old hand quilting them, which I think was the best way to go. But like I mentioned, it took a very long time.

For the borders I wanted cables, but unlike in the body of the quilt I wanted the quilting to show up more as a design element.  The most effective solution for the top and bottom borders, I felt, was big-stitch quilting in rust. 

A huge help was learning the proper needle to use for perle cotton, thanks to Shawn at The Rusty Crow Quilt Shop, who turned me on to the Bohin Chenille needles. I used size 24, which slid through the fabric and batting with ease. Perfect! Thank you, Shawn!

However, hand quilting was definitely not going to show in the busy pattern in side borders, big-stitch or no. So I (boldly and somewhat nervously) decided to try quilting the cable with the walking foot* on my machine, using a contrasting color. I think it turned out pretty good for my first try!

You still have to look pretty close, but at least it shows

*a note about the acu-feed system on the Janome machines: this is really not a walking foot, but an even-feed foot, which is similar but not the same. It does not "hop" like a walking foot, and once you get three layers including batting under it, it tends to push the top layer a bit. Which can really skew your quilt if you're not careful. Word to the wise, if you are considering one of these machines.

Moving on... after I finished the quilting, I failed to come up with a single fabric choice for the binding, one which would look good on both the front and the back. In a brainstorm, I decided to try another new-to-me- technique: the double-sided binding. Digging around in my "patterns and techniques" binder, I found a page I cut out of a magazine once that described how to do it. It was most likely American Patchwork and Quilting, although I don't really remember.  I was going to try to do my own tutorial, but I got too bungled up in the process of trying to take decent photos and explain what the heck I was doing.

I hope they don't throw me in jail for posting this.

The only thing they don't tell you is how far away from the edge to sew the binding on. I did 5/8" which seemed to work.

 Pretty groovy looking, huh?

I couldn't resist taking this photo of the two-sided binding all stacked up.

BTW I used 100% bamboo batting, which washed up beautifully and supposedly does not crease. I'll be testing out the warmth factor as it makes its rounds in the rotation of lap blankies that I snuggle under every morning as I drink my coffee and read the paper, even in the summer. This one is just in time for Fall, and the weather is starting to cool a little.

To review, this is my arrangement of the 36 blocks made by six of us for a block exchange last year, which were taken from the Rosemary Youngs Civil War books, or the Farmer's Wife. I am looking forward to showing my completed quilt at our guild show in February, hopefully some of the others will be there too. (hint - you know who you are!)

Happy Quilting to all! 



  1. WOW! Your quilt is beautiful! Love the fabrics and the blocks and the settings. A true labor of love and worth every stitch. Do I see some Jo Morton fabrics in that quilt?

  2. WOWZERS! Your quilt turned out so beautifully - what a great way to make a sampler quilt! Fun memories if these blocks were received in a swap - and your quilting is so perfect for it all. I've seen that kind of two-sided binding before, but have never attempted to do it myself. Now that you've shared how it's done, that might just change! Congrats on a great finish!

  3. Beautiful work! Congrats on figuring out the things that worked better for your quilt. LOVE the stitching.:)

  4. Wow! Looks great. I like the combination of prints and the setting. Thanks for sharing your quilting and binding solutions.

  5. Great finish--I love the pops of cheddar!

  6. This is gorgeous! I love everything about this quilt. Your hand quilting is lovely!

  7. Absolutely gorgeous quilt and love the quilting! I often thought about mixing hand and machine quilting and wondered how it would work. Thank you for showing that it works beautifully! :-) Also, I appreciate the heads up on the Janome I will be purchasing a new machine next month (getting ready for winter, lol) and I"m trying my best to research every option before the "big spend"... ;-) Enjoy many cups of coffee with your beautiful finished quilt! :-)